Here we go again

Tagged by Awais, hence this:
Eight peculiar things about me:

1. I don’t like public chatrooms.

2. I have a notorious history of getting attracted to things / people I know I can never have.

3. Most of the time I suffer from euphoria and an unbound zeal for life. The rest of the time I am depressed bordering on suicidal. I seldom settle for anything in between.

4. I don’t believe in idols – stone, human, or otherwise.

5. I’m a medical student, and also like to call myself a writer. Many of my high points in literary inspiration coincide with my exams, with obvious results.

6. I don’t watch cricket, I don’t read thrillers, I don’t listen to rock music, and I don’t like big parties. So far from the modern ideal.

7. I wander alone in the middle of the night within my college campus and without, talking (aloud, often) to the stars and trees and flowers, or more likely these days, getting drenched. (You do realise medical colleges have mortuaries in them, don’t you?)

8. My friends tell me I’m “abnormal.” Quoting their reasons here will annoy prudes.

I don’t find any of these to be really peculiar. And incidentally, I like cucumber sandwiches.

I tag Aditya, Formerlyknownasabe, Shay and you.

The Suicide’s Argument

Ere the birth of my life, if I wished it or no
No question was asked me – it could not be so!
If the life was the question, a thing sent to try
And to live on be yes; what can no be? To die.

NATURE’S ANSWER
Is’t returned, as ’twas sent? Is’t no worse for the wear?
Think first, what you are! Call to mind what you were!
I gave you innocence, I gave you hope,
Gave health, and genius, and an ample scope,
Return you me guilt, lethargy, despair?
Make out the invent’ry ; inspect, compare !
Then die –if die you dare !

SAMUEL TAYLOR COLERIDGE

Complete?

Happy family. Perfect friends. Sparkling dewdrops. Scented lilies. Breeze on my face. Painted sky. Chocolate candy. Teeming bookshelf. Admired teachers. City lights. Midnight cycle rides. Universe in a sandgrain. Shooting nerve impulses. Palpitating heart. Wood and bricks and cement.



What’s lacking?


KISHORE KUMAR

In Praise of Sorrow

Who never ate his bread in sorrow,

Who never spent the midnight hours

Weeping and waiting for the morrow –

He knows you not, ye heavenly powers.

GOETHE

* * *

I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great art.



If the world has indeed […] been built of sorrow, it has been built by the hands of Love, because in no other way could the soul of man, for whom the world was made, reach the full stature of its perfection. Pleasure for the beautiful body, but pain for the beautiful soul.

OSCAR WILDE, De Profundis

Wild Strawberries – Quotes

I’ve watched this movie recently and found some memorable quotes. I of course don’t agree with some of them.

Isak reciting with the help of the ‘kids’:

Where is the friend I seek at break of day?
When night falls I still have not found Him.
My burning heat shows me His traces
I see His traces whenever flowers bloom
His love is mingled with every air.”

Anders:    

Ah, when Creation shows so much beauty, how radiant must be its source!

Conversation between Viktor and Anders:

Your rationalism is as dry as dust. / I say that modern man believes only in himself and his biological death. / Modern man is a figment of your imagination. / Man regards death with horror. / Religion for the people. Opium for the aching limb.

Marianne:

The truth is that I have been too considerate. And hence unintentionally cruel.

Examiner to Isak:

As professor emeritus you ought to know why it hurts. But you don’t.

Examiner to Isak:

A doctor’s first duty is to ask for forgiveness.

Conversation between Evald and Marianne:

There’s no right or wrong. We live according to our needs. Yours is a hellish desire to live and to create life. / What’s yours? / To be dead. Stone dead.

The Chill in the Air

The air was still fresh from the rain last night. In the morning, there was the distinct smell of a fresh monsoon chasing out a cruel summer. And there was something that I had been putting off for over a week.

Cleaning. Sigh. Reluctantly I started pulling down all those stacks of schoolbooks. My mother was getting impatient over them. Lazily I gathered them all – notebooks, old texbooks, files, comics – and threw them into a heap. Started separating out things that could be given away, notebooks that hadn’t been written in, things my sister’d want to keep, rusty geometry set cases, and finally, things that had to be thrown out. Now that made one humungous pile – things that were no longer needed. Among them was a copy of one old school magazine that had the misfortune of having me on the editorial board. School laboratory journals that were hastily copied from older journals in long ago lunchbreaks. And a notebook with a handwriting that I ran my fingers over for one last time.

There was a chill inside that had nothing to do with the weather. A heaviness started to set in my heart. I was considering keeping the notebook.

Atif Aslam’s Meri Kahani was playing on the deck. I walked over and changed it to Enya’s Pilgrim. And deposited the notebook safely in the trashcan.

KISHORE KUMAR

A Soap Bubble and a Couple of Revolutions

Writing this poem has been to me the end of a delusion and the beginning of a search. It is long, but do read it all: you might understand what I mean when I say that this has been a deeply personal pilgrimage for me.

(Blogger doesn’t allow me to use the tab key. Hence I’ve used bold fonts for alternating lines to improve readability. Using bold fonts has no other significance.)

* * *

Nightly train journeys
lead me to the inevitable:
The chilly winds stir up memories of a winter
we refused to pull down the shutters,
And the incessant sway of the coach makes me thank
the long, long train journey that brought you to me.

I promised myself to get over this nostalgia;
But that was a promise that couldn’t stand against
an unyielding love, or the night train home.

My mind wandered on into abandoned territory,
and I let it:
Perhaps a little pain can cure the numbness
of my heart.

I bypass the lunches under the margosa
and the cycling on flat tyres,
And walk to the day of the missing mistletoe
and the quick hug on the doorstep:
That was the day you opened the windows
and showed me the stars.

Then there was the story of a seer who predicted
an inseparable friendship;
There were days when we discussed
part-time gods and misshapen universes.
There were nights with Gibran
and storms in inkpots,
And there was the magic of an addictive smile
that did what a thousand battles couldn’t.

When you met me on those corridors that summer, you and your fragrance
defined home to me like nothing else.
You gave me colour and meaning,
and the memory of a sleepless, frigid summer.
You gave me Gandalf in return for my Dumbledore,
and a love story that kills and resurrects.
We built an eternal soap bubble and sucked time out of it,
and filled it with our souls and quizbooks.

And then the days when under a fan with four blades
you fed me a spoonful of life,
Followed by the night I spent under the moon
looking at your face and guessing your dreams;
And there’s the bittersweet pain in the memory of the day
I feared I didn’t deserve you:
You took me so close in your arms and whispered,
“Would you talk about you deserving yourself?”

You gave me a challenge, a box of chocolates and questions to answer.
You gave me dreams to chase, that will overflow a lifetime.

That was a long ago summer in a far away country,
and a far away happiness –
Because for reasons that I do not know exist,
I lost the soap bubble and my soul along with it:
My deciduous delights were exactly that.



By another train journey I reach our semi-arid tropics;
it is summer again.
I’ve made this journey many times before
but it never was this painful;
Down pour memories of a violet ink and yellow envelopes
I no longer use,
And of the very next summer I came to say goodbye
and you gave me a mock embrace.
I’ve been many things and places since, but one thing I haven’t felt
in five years, is home.

That mocking, jeering, disheartening hug of yours,
made the first crack in my heart.
Then one day you crossed the road
forgetting me, and leaving me behind you.

Then came the day you told me your dreams were your own
and your plans are but your business.
You told me you wouldn’t correct me any longer, nor should I,
for there are limits!
Because however close two universes come, you said,
there is always a fine line separating them.
That was when we stopped debating and started arguing –
we were on that one way road.

What followed wasn’t a blur, it was one long moment
of unacknowledged oblivion
My silence and your insouciance,
broken promises and fatal changes –
Were you tired of me, or was it somebody else?
Was it the different places that we had to go?
Or was I just a compromise and a stand-in until
somebody else walked in?

There was a day I said I was going to miss you,
that I will wait, come back for you.
(Such a cliché. You answered with a line that could be
a writer’s delight).
You said you wouldn’t miss me, that you will stay
with yourself, wherever you go.
That was the last time I expected someone to wait for me;
the last time I ever counted myself in.

I befriended the moon and conducted a lunar love affair,
and added my tale to his long repertoire.
There were long nights on the stairs when
tears wiped all thought away.
I shredded your letters and burnt my diaries, but still you haunt my dreams –
this is the one promise you’ve kept.

Disappointment. Humiliation. These were your choicest words for me when I needed you.
Was acceptance impossible? Had understanding gone out of fashion?
That was the final blow, the final crack in my crumbling heart.
That was when I forgot what emotion meant.
The chirping of birds and glorious sunsets no longer meant anything:
I went to bed with the Reaper’s daughter called despair.
The passage of time didn’t make sense anymore.
Years passed and my wounds didn’t heal, didn’t bleed.

Worldly fortune was fair to me and humoured
the glutton I became trying to fill an invisible void;
But all the cities I’ve been to had nothing to offer
to fill this obstinately dead void.
I tried to run away from it, tried to
wash myself of everything life refused to give me;
I absconded the man in white and the smiling woman who taught us life;
in a happy, happening rich world, I became numb.
I only did not realize that in this great escapade,
I was running away from myself.

But today, here I stand in this grand little town
we once called home.
The green patch where once we sat entwined, and the bench where I waited for you,
are still there and enquire about you;
Someone mentions Physics and my heart skips a beat, and I visit
shady Attar shops in search of a lost Arabian perfume;
The noisy summer wind however, is not accompanied
by your voice, nor do I feel your breath on my face.
And I realize, the melody in your arms
might never again claim me.

Our library asks me questions I dared not acknowledge,
and our corridors rebuke my numbness;
People ask me where you are and I say
somewhere up north, having fun;
And my eyes lose their dryness
and regain a depth I deemed impossible.

In our dusty little town that gave us raw mangoes
and exalted purposes,
I realised it was time I looked for the pieces
and started picking them up.

Plaques and pictures brought me home
from the emptiness I madly sought:
I can’t live in an uninviting yesterday
in a lost world;
Because I am human and my search for permanence
is capable of looking beyond one eternity that decided to be ephemeral.
Nor can I annihilate those memories
which lie at the heart of all I am;
Nor can I desert our dreams which still fuel my days
and court the stars.

Epilogue
I don’t want to be a dead phoenix.
I want to rise again, just like I did every time I fell
before you happened.

There is a world you gave me.
There is a world you stole from me.
And there is an insane moment when the two come frighteningly close,
and a moment of horror when they converge.
I live in that impossible moment.
Anything else would be just a mediocre imitation of life.

A decision is imminent:
The lights are dimmed, and I need to take
a blind turn.
Yes, I am ready.

For if the Giver of Things asks me now,
what’s the one thing I want to clutch to my bosom forever,
I am no longer sure what the answer would be.
And I want to find out.

KISHORE KUMAR

The Great Kidnapping

Once upon a happy monsoon,
A gentleman called Time
And a capricious lady called Fate,
Decided to send the youth Love to live with me.

Sweet Love and I carved a niche for ourselves,
And called it Our Eternity;
We forgot the people who sent Love to me
And decided that they didn’t exist.

But then those ephemeral deities got jealous
And kidnapped my sweetheart Love,
And made him forget me and my mistakes;
And they destroyed Our Eternity.

I’m a vagabond now, Love-less and homeless,
But never will submit to those kidnappers.
I will find my sweetheart again,
And make him remember who I am.

KISHORE KUMAR

Les Questions de Ma Vie

(Read “The Questions of My Life”)
In no particular order:

  • Can the Universe really understand itself? (Or, can we really understand it?)
  • However eloquently a guy talks about Free Will and Monotheism and the Subtlety of the Lord, why does he still go back home to burn incense in front of his stone idols?
  • Why do people look at me like I’m mad when I drink water after coffee?
  • Do conservatism, male chauvinism and homophobia go together?
  • Is it really that difficult to put Creation and Evolution together to write a better, more marvellous story? In other words, is it that difficult to see that the idea of Evolution only reinforces the idea of the Omnipotence of God?
  • Does Original Sin exist? That is, does God make people in a certain way, and then say that it is wrong to live that way?
  • Why is the concept of “new beginnings” so very loved?
  • Are Love and Prayer two different things?
  • Is man a facultative carnivore or a facultative herbivore?
  • Whence hither, and hence whither?

Please leave your answers, if you have them, in the Comments.